“The designer, Dulcie Best, always astonishes us with her brilliant and innovative costume design.”
Garden Opera review, Abbotsbury News
“A focussed satire on class and snobbery… Dulcie Best’s impossible party frocks only accentuate the dreadful sisters’ chav mannerisms...An exuberant evening.”
La Cenerentola, Regent’s Park, London | George Hall, The Guardian
“The whole performance dazzled… Dressed immaculately in astutely designed costumes by Dulcie Best, these splendid performers shaped their musical phrases perfectly…”
Così fan tutte | Rosemary Westwell, Ely Standard Review
“Dulcie Best’s fantastic costumes and Pip Nash’s simple staging…. were integral to the production.”
Don Giovanni, Purcell Room, London | Manus Carey, Musical Opinion Review
“Particularly beautifully designed and costumed by Dulcie Best”
Djamileh, Linbury Studio, Royal Opera House | Robert Thicknesse, The Times
“The pre-war setting in Italy and New York inspired a colourful set by Frank Watson and excellent futurist costumes by Dulcie Best for which she won a judges’ award.”
Futurist Love in the Apple by David Bridel | Robert Hewison, Sunday Timesa
